Mosaic of the "Cappella Borghese" in Rome
Then begins the story of Abraham, the most important character of the Old Testament, the one whom God promised a great and powerful nation ", with Jacob, to whom God renews the promise made to Abraham, Moses, who liberates his people from slavery in which they were born, making the "chosen people" with Joshua, who will lead them to the promised land. The journey concludes with two panels, made at the time of the fresco restoration called for by Cardinal Pinelli, which show David brings the Ark of the Covenant in Jerusalem and the Temple of Jerusalem built by Solomon. It is the seed of David that Christ will be born whose childhood is illustrated by episodes taken from the apocryphal gospels, the triumphal arch.
In 1995 John Hajnal released a new window in the canopy of the main facade. In it reaffirms the declaration of Vatican II, where Mary, the exalted daughter of Zion, is the connecting link between the Church of the Old Testament, represented by the seven-branched candlestick, and that of the New symbolized by the chalice ' Eucharist. The triumphal arch is composed of four registers: the upper left of the Annunciation, where Mary is depicted dressed as a Roman princess, holding the time at which weaves a purple veil for the temple where she serves. The story continues with the announcement to Joseph, the Adoration of the Magi, the slaughter of innocents. In this box is to be observed the figure with the blue robe facing away from the other women is who flees with St. Elizabeth S. John in his arms. In the right presentation in the temple, the flight into Egypt, the meeting of the Holy Family and Aphrodisius, governor of Sotine.
According to an apocryphal Gospel, when Jesus took refuge in Sotine, Egypt, the 365 idols of the capitol fell. Aphrodisius appalled by this prodigy, and remembered the fate of Pharaoh, goes with his army to the Holy Family and loves the child recognizes the divinity. The last scene represents the Magi before Herod. At the foot of the arch the two cities of Bethlehem and Jerusalem on the left to right. If Bethlehem is where Jesus was born and where his first Epiphany, Jerusalem is the city where he died and rose again (there is a link with the apocalyptic theme of his Second Coming at the end of time, evidenced by the empty throne in the middle arc, the throne flanked by Peter and Paul, who was called by Christ to spread the Good News among the Jews, the other among the Gentiles, the pagans). All together form the Church of which Peter is the guide and his successor Sixtus III. As such and as "plebs Dei episcopus" up to him to lead the people of God to the heavenly Jerusalem. Nicholas IV in the thirteenth century, the first Franciscan pope, decided to destroy the apse and the current build several meters back, thus obtaining between the arch and a transept to the choir. The decoration of the apse was executed by the Franciscan Jacopo Torriti and the work was paid for by Cardinal Giacomo and Pietro Colonna.
The mosaic of Torriti is divided into two distinct parts: in the apse shows the Coronation of the Virgin, the lower band represented the most important moments of your life. At the center of the basin, enclosed in a big circle, Christ and Mary are seated on a throne depicted as a large sofa Eastern Europe. The Son is placing on his head a jeweled crown of the Mother. In the mosaic Mary is not only seen as mother but as the Mother Church, bride of the Son. At their feet the sun and the moon and around a chorus of adoring angels, while St. Peter S. Paul, S. Francis of Assisi and Pope Nicholas IV to the left, John the Baptist, John the Evangelist, St. Anthony and the donor, Cardinal Colonna right.
In the rest of the apse is decorated with foliage sprouting from two trees placed at the far right and far left of the mosaic. In the lower apse scenes from the life of the Virgin are placed on the right and left of the Dormition located just beneath the Coronation. This way of describing the death of the Virgin Mary is typical of Byzantine iconography, but also spread to the West after the Crusades. The Virgin is lying on a bed, as the Angels prepare to remove from the astonished gaze of the Apostles, his body, Christ takes in his arms his "soul" white, waiting in the sky. Torriti embellished the scene with two small figures of Franciscan and a thirteenth-century lay with his cap. Below the Dormition Pope Benedict XIV placed the splendid Nativity of Christ "by Mancini. Among the Ionic pillars under the mosaics, were placed Escape from the bas-reliefs of the Realm Mino representing the Birth of Jesus, the miracle of snow and the founding of the basilica by Pope Liberius, the Assumption of Mary and the Adoration of the Magi. Fuga is the canopy over the altar in front of the station which will open confession, intended by Pius IX and built by Vespignani, where is located the shrine of the Cradle. The crystal reliquary in the shape of a cradle, and contains pieces of wood that belong to the tradition of the manger where Baby Jesus was laid. Was carried out by Valadier and donated the Portugal. The statue of Pius IX, Pope of the dogma of the Immaculate Conception is the work of Ignazio Jacometti hypogeum and was placed by the will of Leo XIII.
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In 1995 John Hajnal released a new window in the canopy of the main facade. In it reaffirms the declaration of Vatican II, where Mary, the exalted daughter of Zion, is the connecting link between the Church of the Old Testament, represented by the seven-branched candlestick, and that of the New symbolized by the chalice ' Eucharist. The triumphal arch is composed of four registers: the upper left of the Annunciation, where Mary is depicted dressed as a Roman princess, holding the time at which weaves a purple veil for the temple where she serves. The story continues with the announcement to Joseph, the Adoration of the Magi, the slaughter of innocents. In this box is to be observed the figure with the blue robe facing away from the other women is who flees with St. Elizabeth S. John in his arms. In the right presentation in the temple, the flight into Egypt, the meeting of the Holy Family and Aphrodisius, governor of Sotine.
According to an apocryphal Gospel, when Jesus took refuge in Sotine, Egypt, the 365 idols of the capitol fell. Aphrodisius appalled by this prodigy, and remembered the fate of Pharaoh, goes with his army to the Holy Family and loves the child recognizes the divinity. The last scene represents the Magi before Herod. At the foot of the arch the two cities of Bethlehem and Jerusalem on the left to right. If Bethlehem is where Jesus was born and where his first Epiphany, Jerusalem is the city where he died and rose again (there is a link with the apocalyptic theme of his Second Coming at the end of time, evidenced by the empty throne in the middle arc, the throne flanked by Peter and Paul, who was called by Christ to spread the Good News among the Jews, the other among the Gentiles, the pagans). All together form the Church of which Peter is the guide and his successor Sixtus III. As such and as "plebs Dei episcopus" up to him to lead the people of God to the heavenly Jerusalem. Nicholas IV in the thirteenth century, the first Franciscan pope, decided to destroy the apse and the current build several meters back, thus obtaining between the arch and a transept to the choir. The decoration of the apse was executed by the Franciscan Jacopo Torriti and the work was paid for by Cardinal Giacomo and Pietro Colonna.
The mosaic of Torriti is divided into two distinct parts: in the apse shows the Coronation of the Virgin, the lower band represented the most important moments of your life. At the center of the basin, enclosed in a big circle, Christ and Mary are seated on a throne depicted as a large sofa Eastern Europe. The Son is placing on his head a jeweled crown of the Mother. In the mosaic Mary is not only seen as mother but as the Mother Church, bride of the Son. At their feet the sun and the moon and around a chorus of adoring angels, while St. Peter S. Paul, S. Francis of Assisi and Pope Nicholas IV to the left, John the Baptist, John the Evangelist, St. Anthony and the donor, Cardinal Colonna right.
In the rest of the apse is decorated with foliage sprouting from two trees placed at the far right and far left of the mosaic. In the lower apse scenes from the life of the Virgin are placed on the right and left of the Dormition located just beneath the Coronation. This way of describing the death of the Virgin Mary is typical of Byzantine iconography, but also spread to the West after the Crusades. The Virgin is lying on a bed, as the Angels prepare to remove from the astonished gaze of the Apostles, his body, Christ takes in his arms his "soul" white, waiting in the sky. Torriti embellished the scene with two small figures of Franciscan and a thirteenth-century lay with his cap. Below the Dormition Pope Benedict XIV placed the splendid Nativity of Christ "by Mancini. Among the Ionic pillars under the mosaics, were placed Escape from the bas-reliefs of the Realm Mino representing the Birth of Jesus, the miracle of snow and the founding of the basilica by Pope Liberius, the Assumption of Mary and the Adoration of the Magi. Fuga is the canopy over the altar in front of the station which will open confession, intended by Pius IX and built by Vespignani, where is located the shrine of the Cradle. The crystal reliquary in the shape of a cradle, and contains pieces of wood that belong to the tradition of the manger where Baby Jesus was laid. Was carried out by Valadier and donated the Portugal. The statue of Pius IX, Pope of the dogma of the Immaculate Conception is the work of Ignazio Jacometti hypogeum and was placed by the will of Leo XIII.
Book our Rome apartments , and You'll enjoy the unique atmosphere of this beautiful city
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